It is time people saw Kojo Bonsu not just as a statesman, but as a pioneer who fundamentally shaped Ghana’s modern entertainment landscape. Long before the "Year of Return" became a global phenomenon, he was the bridge builder bringing the world’s biggest stages to Accra.
While many know Kojo Bonsu for his political leadership, his true "first love" was the meticulous craft of international music production. In an era before digital streaming and easy logistics, he was the mastermind who proved Ghana could host world class talent. He didn't just book acts, he curated cultural moments that defined generations.
A Portfolio of Legends:
Musical Youth (1984): At the height of their global fame, Bonsu brought the British-Jamaican reggae sensations to Ghana, setting a new standard for live concerts in the country.
The "Ghana As One" Gala: For Ghana’s 50th anniversary, he orchestrated a masterstroke of R&B nostalgia, bringing The Whispers and Shalamar to Black Star Square for a night that remains a benchmark in event organization.
Osibisa: Bringing the world renowned Afro rock pioneers back home required more than just a contract it required a vision shared at the highest levels of government.
A Tribute to the "Chief Logistician," J.J. Rawlings
"People often ask why I hold President Jerry John Rawlings in such high regard. The answer lies in 1984. When I set out to bring Osibisa to Ghana, the logistical hurdles were immense. President Rawlings didn’t just give his blessing; he gave his support. He understood that music was the heartbeat of the people. By helping me secure the means to fly the band home, he proved he was a leader who valued the power of culture and the arts. That concert wasn’t just a show it was a homecoming made possible by a President who believed in my vision as a young producer. I will always love and respect him for that."
As Ghana continues to position itself as a global hub for entertainment and tourism, the foundation laid by Kojo Bonsu remains the blueprint. His transition from a high-stakes music producer and event organizer to a public servant is a testament to a career built on one thing, the ability to organize complex visions into reality.
For the generation that danced to Musical Youth or witnessed Osibisa’s return, Kojo Bonsu remains the architect of the stage the man who taught Ghana how to host the world.