A British military regiment is facing growing criticism after reports emerged that it is keeping an Asante gold artifact taken during colonial-era conflicts out of public view, reigniting long-standing calls for restitution of African cultural heritage.
The object, described as a ram’s-head gold sculpture seized during the 1874 British invasion of Kumasi, is reportedly held in a military officers’ mess in the United Kingdom and is not accessible to researchers, historians, or the public.
Historians and cultural advocates say the situation raises ethical concerns about the stewardship of artifacts obtained during colonial military campaigns.
“Objects taken during war carry deep spiritual and historical meaning. They should not be hidden away,” a cultural heritage advocate said.
Renewed restitution debate
The issue has resurfaced amid a broader international movement calling for the return of African artifacts removed during colonial rule. Museums in Europe and North America have in recent years begun returning looted objects or negotiating long-term loans to countries of origin.
Requests have reportedly been made on behalf of the Asante kingdom for discussions about the artifact’s return or public access, though no formal resolution has yet been announced.
Cultural significance
For many Ghanaians, especially within the Ashanti Region, royal artifacts are more than decorative objects. They are considered sacred symbols tied to lineage, authority, and ancestral identity.
Scholars note that disputes over cultural property are increasingly becoming diplomatic matters, not just museum debates, as countries seek to reclaim heritage items removed during colonial expansion.